Tuesday, 23 November 2010

Glaze Tests.
The glazes were a little too thick so texture was lost slightly from the surface of the tiles but the colours came out well.



Nickle: 1,2,3





Vanadium Pentoxide: 2,4,6





Turquoise Stain: 2,4,6




Semi-matte stoneware glaze
Feldspar 600
Dolamite 200
China Clay 200

Wednesday, 10 November 2010

Year 1.
Sketchbooks, moulds, and test pieces using wood, metal, plastices and ceramics.


Saturday, 16 October 2010

Material culture can be studied or analysed by looking at an object as if it has a biography; to consider aspects such as formal structure, functional dynamics and meaning, and by examining the object as a living being. This involves asking questions such as:

‘Where does the thing come from and who made it? What has been its career so far? [...]What are the recognised ‘ages’ or periods in the thing’s lifetime, and what are the cultural markers for them? How does the thing’s use change with its age?’

It is important to understand the way an object was perceived by those during its lifetime, as this helps us understand its role within society and appreciate the way it was received at the time and the demands it fulfilled.


Badges made at Brighton University's first W.I. meeting of the year.

http://brightonwi.blogspot.com/2010/10/first-meeting-of-term-badgemaking.html








Friday, 15 October 2010

Tuesday, 5 October 2010

Reflections.







Hand made cards available to buy at Liscious Interiors in Oxford.



http://www.liscious.co.uk/



Monday, 4 October 2010

http://www.28dayslater.co.uk/forums/

Urban Exploration. An insight into hidden and forgotten worlds...








Sunday, 3 October 2010

Polaroids








Dr. Edwin Land's frustration:
“Some people feel that the Polaroid camera is strictly an amateur product that does nothing to develop the artistic expression of photography.”





Hand held ergonomic form carved out of wood.


Collecting in a nutshell...

Collecting is defined by Russell Belk as “actively, selectively, and passionately acquiring and possessing things removed from ordinary use and perceived as part of a set of non-identical objects and experiences.” It is an interesting area of study because although there are known trends and traits within collecting, each case is individual. I am especially interested in the way items lose their original purpose or function once they become part of a collection and the way they are taken out of the disorder of everyday life and become carefully documented items.

I have chosen to look at pistachio shells as they form part of a current collection of mine. They are extremely energetic and playful objects, however I also like the melancholy and sadness they carry with them once they have fulfilled their purpose and are discarded. I also like the irony and play on words of the title I have given this project: ‘Collecting in a nutshell’.







Collecting is defined in the English dictionary as obtaining or seeking out (specimens, stamps, books etc.) to add to others, especially as a hobby. A more comprehensive definition by Russell Belk also suggests that collecting involves “actively, selectively, and passionately acquiring and possessing things removed from ordinary use and perceived as part of a set of non-identical objects or experiences.” However what is missing from both these definitions is an answer to the more complex issue of why people collect; an important aspect to consider when understanding a collection itself.

Material culture describes the “segment of man’s physical environment which is purposely shaped by him” in order to adapt to the world. It is therefore interesting to consider why man feels the need to gather aspects of his own material culture to form collections. Possible explanations could lie in the need for man to give meaning to the world which he has created; to generate a sense of order and to make sense of things. There are, however, also those who use collecting as a way of communication and expression or as a method of self definition. According to Majorie Akin, (author of Passionate Possession: The Formation of Private Collections) there are five main reasons for collecting: to satisfy a sense of personal aesthetic, to gain a sense of control or completion, to connect themselves with history, for profit and for the “thrill of the chase”.

Objects hold a certain presence as they stand as physical representations of the past within the present. They possess their own history or lifespan which can be traced, and like us they age with time. “Collectors are people with a tactile instinct” and this could explain the bond or emotional attachment which often occurs between owner and object. However, when an object becomes part of a collection, the importance of its individual identity changes. It often becomes a tool through which the identity of the collector can be expressed, with each owner placing different emphasis on different aspects of the object and its history.

Thursday, 30 September 2010

http://www.maisonmartinmargiela.com/

Website I recently rediscovered and fell in love with once again.



Playful ceramic pieces. Raku fired.






Black and white series.










"I am a lucky man, lucky for three reasons:
Firstly because I am French.
Secondly because I make movies.
Thirdly because I understand love.

Mainly because I am French"


- Thierry Grimandi, Director
21 February 1989